steering clear of the mainstream
since 2001

june 2010

ten crucial records
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bluermutt's ten crucial records
Barcelona's Bluermutt creates miniature electronic pop epics, and his latest, Decivilize After Consumption, is an "avant-mess of techno, electro-pop, and post-rock" according to Indieville's Matt Shimmer. His ten crucial records list reflects his interest in electronic music and unconventional pop. Read on!

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Matmos - The West

Since I listened to this album I had no doubt about Matmos being my favorite band. At that time my friend Toni was passing me lot of extraordinary records and I was discovering new sounds all the time but this mix of acoustic sources, ever-changing structure, voices, humor, digital treatments and concepts, was all I would dream of in music.

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Leafcutter John - the Housebound Spirit

Mind blowing. When I listen to this I almost suffer for the intensity and for the fact that I can't stop thinking about how each sound has been crafted. I spent so much time trying to emulate the sounds on this album ;-)

Anyways, what strikes me more is that I feel like these compositions are such a far place to get to... it's simply unique, a world apart.

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Fugees - The Score

I was 13 when this album came out and I remember me and my best friend went to buy the tape together... I still have it somewhere. I was so into hip-hop, writing rhymes myself and programming cheap beats on an Atari running Cubase.. and The Score was just so full of ideas, definitely hip-hop but so pop at the same time... I loved it and I ended up loving pop more than hip-hop.

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Moloko - I'm Not a Doctor

I wish this came out tomorrow... I never get tired of going trough this album; it's so filled with cool solutions, weird arrangements, great electronic and acoustic sounds; and the songs are simply amazing. At some point I thought this album was kind of the perfect production and I still think this is the closest thing to what I want to sound like at some point in my life... I'm probably a bit late...

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Fatboy Slim - You've Come a Long Way, Baby

I haven't listened to this album for some years now but when it came out I was so into it, mainly fascinated by the absurd collage of samples it is made of. My music has nothing to do with big beat but I think the tunes here deeply influenced me at some point of my learning process, and I totally loved the studio picture in the CD sleeve.

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Squarepusher - Hard Normal Daddy

I gotta admit that I started to dig Squarepusher when a friend of mine gave me a bunch of mp3s, so I kind of listened stuff from different albums at the same time. Anyway, the first Squarepusher song that I loved was "Beep Street" so it kind of make sense. Sorry about this but I definitely had to include Mr. Tom Jenkinson.

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Radiohead - Kid A

I started to love Radiohead when they released Kid A and since then I kept loving them. The aspect I dig most here is the fact that tons of people love these songs but they have so much unusual stuff in them. That's definitely what I prefer: pop results through experimental intentions (or the contrary...).

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Karate - Unsolved

The perfect album to remix. People may not like the jazziness here but I tend to like some sort of cheesyness in music, and those clean guitars on inventive basslines create a really comfortable place to go when you don't feel like taking a risk, but still the usual bar is not what you're up to.

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Portishead - Dummy

This album is a translation of lot of the elements I had been loving in hip-hop (warm beats, samples cut-up...) to a new dimension. There are still a few elements in the mix but they're so well placed, every sound exploited to his maximum possibilities and topped by outer space vocals. An easy way in to the darkness, a la David Lynch.

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Aphex Twin - Richard D. James Album

Ok, this just had to be here. "You had the Beatles mum, we got the Aphex Twin. And the Internet..." I used to think this... and it still kind of makes sense to me...

(Feb 27, 2009)

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