Chapter 29
"Playing in the Rooms of
Twilight" CDR
Series
Two
Genre: lo-fi, indie pop
October 2009 |
Chapter 29 formed in
the early eighties, its members in hovering around 21 and more
committed to having fun than making serious music. Yet as they got
things together, they produced two albums and performed several live
shows before disbanding (after which one of its members, Phil Andrews,
would go onto play in C-86 band The Morrisons). Playing in
the Rooms of Twilight compiles the album of the same name, as
well as other demos and live recordings, making for one of the
latest examples of obscuro eighties fetishism.
These nineteen
songs, recorded between 1982 and 1983, range wildly in terms of
quality and content, with obvious influence culled from UK freakbeat (especially in the organs), mystical psychedelia
("Before," "Captured in a Jar"), and eighties British pop
("Benjamin's Dream"). The entire record is a pretty casual affair,
meaning it is considerably inconsistent and at times outright
disastrous (dismal "The Isolate," flimsy "Mad Men Laughed," and
the list goes on...). Apparently, when the band formed, several of the members barely
knew how to play their instruments - let alone write a song - and
the ensuing lack of polish is often evident on Rooms of Twilight.
Only occasionally do the songs really shine, although when they
do the listener is treated to that hearty feeling of uncovering an
ancient nugget of lo-fi goodness - consider album-best "Captured in
a Jar," whose sullen docility makes for a curiously pretty bit of
psych-folk, though the composition lacks tightness, and the
amateurish vocals aren't great. As an archaeological venture,
Playing in the Rooms of Twilight has its fair share of mystique,
but ultimately this compilation reminds the listener that some music
doesn't warrant reissuing.
Matt Shimmer
[Vitals: 19 tracks,
ltd to 300 copies, distributed by
the
label,
released 2009] |