Tryst
"Hotel Two-Way" CD
Self-released
Genre: indie pop, alertnative
June 2006 |
How are these guys still under the radar? Tryst's third LP consists of
eleven more precious pop tunes that coast along effortlessly pretty
much from start to finish. Frontman Tim
Cohan's slyly brilliant lyrics mesh
perfectly with his compelling everyman voice, charming melodies and
Decemberists-esque lush instrumentation. Lead guitarist
Sam McIlvain offers up plenty of irresistible
hooks, and Ellen Highstone's backing vocals are
spot-on. All of these elements combine to create an appealing
pop sound.
Hotel Two-Way is named after a "love hotel" in Tokyo that makes its
money by housing, well, trysts, and
unshockingly, temporary love's power to conquer all is
a lyrical motif that permeates this pop
nugget. Cohan's lyrics attack that subject
from a myriad of sharp angles - metaphorically wishing to be
Jessica Lynch's "private hero" on the acoustic opener,
professing love through the boss's voicemail
on "Abigail" ("Do you love me like you love your job?") and nicking
lyrics from one of the lucky few poets in history
who can legitimately claim to be cleverer than Cohan - William
Shakespeare - on "Balthasar's Song," which spins a Much Ado About
Nothing highlight into, by my troth, a pop highlight. "Alexis," with
its punchy chorus, is an absurdly catchy
B&S-style character sketch; "Still" somehow manages to out-bouncy and
out-whimsical most of the album. But the song that rises above the
rest of these peaks is the title track, a pop masterpiece that
features Cohan at his cunning best. The verses flow seamlessly from
what-the-hell-was-I-thinking to frankly wishing for sex to genuinely
longing, tied together by a chorus that calls the Hotel Two-Way "more
fun than the one-way, less fun than the three-way, her way or the
highway back to old LA." Genius.
It falls off a bit toward the end, and the closing track, "Special
Thing," feels like a forced effort to bring closure to the album. Its
apropos lyrics affirm, just in case you weren't paying attention to
the other 10 songs, that although it gets a bit tricky and/or sticky
when she doesn't really care or there's
another lover there, love is indeed a special thing that takes you by
the heart and makes you sing (like this: la, la, la...) It comes off
kind of trite, out of its element. But the lacklustre back end can't
take the shine off Tryst's latest leap forward. This is a
fresh-sounding album that is well worth a listen or five.
85%
A.J. Gregory
[Vitals: 11 tracks, distributed by
CD Baby,
released 2005] |